List of musical instruments by Hornbostel-Sachs number: 321.22

This is a list of instruments by Hornbostel-Sachs number, covering those instruments that are classified under 321.22 under that system. These instruments may be known as bowl lyres.

3: Instruments in which sound is produced by one or more vibrating strings (chordophones, string instruments)
32: Instruments in which the resonator and string bearer are physically united and can not be separated without destroying the instrument
321: Instruments in which the strings run in a plane parallel to the sound table
321.2: Instruments in which the string is attached to a yoke that consists of a cross-bar and two arms, with the yoke laying in the same plane as the sound-table (yoke lutes, yoke lyres)
321.22: Instruments in which the resonator is a built-up wooden box

These instruments may be classified with a suffix, based on how the strings are caused to vibrate.

List


Instrument Tradition Complete classification Description
crwth[1]
Wales 321.22 Six-stringed instrument with a flat fingerboard, fretless
kinnor[2]
David's harp
Israel 321.22 Biblically-described historic instrument, probably a cithara; in modern Hebrew, refers to the violin
lyra[3]
Crete 321.21 Three-stringed fretted, pear-shaped instrument with a hollow body and a vaulted back, propped up on the knee
talharpa [4]
Swedish Estonia 321.22-71 Bowed lyre with no fingerboard

References

Notes

  1. ^ Edgerly, Beatrice (1942). From the Hunter's Bow: The History and Romance of Musical Instruments. G.P. Putnam's Sons. 
  2. ^ "David's Harp". Dolmetsch Online. http://www.dolmetsch.com/defsd.htm. Retrieved December 21, 2007. "In Hebrew kinnor, also known as David's harp, is the national instrument of Israel." 
  3. ^ Dawes, Kevin (October 2003). "Lyres and the body politic: studying musical instruments in the Cretan musical landscape". Popular Music and Society 26.3 (21): 263. "The island's "national" instrument, the lyra has become emblematic of the struggle that many Cretans experience in their attempt to retain a sense of a local identity." 
  4. ^ Andersson, Otto (August 1970). "The Bowed Harp of Trondheim Cathedral and Related Instruments in East and West". The Galpin Society Journal (The Galpin Society Journal, Vol. 23) 23: 4–34. doi:10.2307/842060. JSTOR 842060.